April 2017 Archives

Vexille’s CGI strives for powerful sci-fi storytelling but frequently lands in the uncanny valley.

Part semi-autobiography, part self-exorcism, part post-modern narrative, and a career rejuvenation for Van Damme.

Deeply heartfelt, with captivating visuals and indelible images, Ink handily sidesteps its flaws.

These films typify “the sadness of things.”

Morisset’s extreme, even experimental style is the perfect visual counterpart for Sigur Rós’ beautiful sonic onslaught.

Fish Story is ultimately an examination of how even seemingly random events are subtly connected in ways that nobody can truly foresee.