“Electronic” Reviews

The best way to enjoy this disk is not really so much as a Low record, but as a relatively well-done compilation of electronic and ambient music.

Sounds like a Fugazi clone with a horn player and a strange sort of intensity that got lost in the translation.

This album represents what Hip Hop can be when a focused artist is given the right amount of time and space.

There’s so much more substance here than anything produced by the average person alone in a basement doing electronically reconstructed jazz.

While all of the songs are electronic in nature, they avoid falling into the normal trappings of your average dancehall fare.

This is a very refreshing record.

This is undoubtedly one of the best things to happen in 2000.

Once again, we have another release proving that not all electronic music falls into that amorphous realm called “electronica.”

Incredibly listenable, downright catchy, and kitschy in all the right ways.

This is the new genre: micro-beat.

The best electronic pop money can buy?

Live: Roseland NYC reveals a band that not only puts out great albums, but puts on one heckuva live show.

Plone’s analog synth music is at its best when it’s most whimsical and playful.

I think LIN’s music would work much more for me if the hip-hop influence was less-pronounced.

It just doesn’t sound that good. Not in any sort of big dose anyway.

An attempt to bridge the gap between Mark Van Hoen’s harsh earlier work and his most song-oriented material.

This incredibly promising debut is guaranteed to appeal to fans of both the early 4AD and Projekt sounds.

Riddim Warfare features several MCs that freshen up what’s already a texturally diverse, rhythmically complex album.

Synkronized is still as funky, gritty, and groovy as anything you’re likely to hear this year.