“Electronic” Reviews

A sense of great care and precision always permeates The Green Kingdom’s music.

The perfect soundtrack for summer days where you just want to lie down and watch the clouds float by.

The group’s blend of krautrock and ’70s German prog-rock is about as hard to resist as a black hole’s event horizon.

Though oppressive, there’s something alluring and even sensual about HTRK’s minimal jams.

The Council’s latest takes the Ghost Box aesthetic in more straightforward — though still odd and otherworldly — directions.

This “children fairytale book concept album” is full of enchanting, beguiling music.

Thangorodrim’s Tolkien-inspired “dungeon synth” can get cheesy at times, but the epic fantasy vision is winsome in its own way.

Some of Makeup & Vanity Set’s most ambient and surreal work in some time.

Arguably the most difficult Perturbator release to date — but also one of the most intriguing.

Tholen’s first album in four years finds him pondering marriage, being an artist, and the mysteries of God’s divine will.

Some of the enigmatic vaporwave producer’s funnest, and funkiest, music to date.

Originally released in 1988, this album feels like the blueprints of what would eventually come to be known as vaporwave.

A blend of modular electronics and stirring ambient passages.

The gently unsettling aspects of Nico Niquo’s ambience makes it all the more beautiful and intriguing.

Arguably one of Ghost Box’s most accessible releases to date, as well as one of their loveliest.

Atmospheric, intricately detailed techno that’s perfect for late-night blogging or coding sessions.

Amir Abbey creates an atmosphere full of grandeur and majesty shadowed by melancholy.

An enjoyable collection of odds and ends that explore different facets of the C418 sound.

Bvdub’s music is euphoric enough for any discothèque but its true appeal lies in its moody, contemplative aspect.

Disasterpeace’s evocative soundtrack is reason enough to play “Hyper Light Drifter.”