
“Movies” Archives
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2046 by Wong Kar-Wai (Review)
An entirely logical, if sometimes sorely flawed, follow-up to Wong Kar Wai’s In the Mood for Love.
New Police Story by Benny Chan (Review)
Easily one of, if not the, darkest and most somber film that Chan has made to date.
Noi the Albino by Dagur Kári (Review)
Noi the Albino possesses an otherness that makes it a truly surprising, engaging, and thought-provoking debut feature.
Blister by Taikan Suga (Review)
‘Blister’ is a hidden gem, one that both affirms the value of our hobbies while also reminding us that there is a real world out there.
6ixtynin9 by Pen-ek Ratanaruang (Review)
Pen-Ek Ratanaruang’s sophomore film possesses style, attention to detail and character, and depth.
Chungking Express by Wong Kar-Wai (Review)
A fun, offbeat little film that showed me there’s more to Hong Kong cinema than heroic bloodshed and kung-fu.

The Bird People in China by Takashi Miike (Review)
Even with its flaws, The Bird People in China is downright heart-tugging compared to Miike’s usual fare.
One Nite in Mongkok by Derek Yee (Review)
As strange as this may sound, it’s been a long time since I was so overjoyed and thrilled to have seen a film as dark and troubling as this one.
Shaun of the Dead by Edgar Wright (Review)
It’s almost subversive at the same time, the way it blends such solid characters with plenty of gore and some wicked humor.
Napoleon Dynamite and Nostalgia Trips
I think the reason I reacted so strongly to the movie is that it was very nostalgic for me.
Niceland by Friðrik Þór Friðriksson (Review)
Niceland is not a bad movie, but it fails simply because it doesn’t seem to trust the audience at all.
Schizo by Gulshat Omarova (Review)
Although the film has several double crosses and twist or two, it’s the furthest thing from a crime thriller that you could find.
Kontroll by Nimród Antal (Review)
The film never lives up its vast potential but consistently underperforms right through the lackluster ending.
The Ninth Day by Volker Schlöndorff (Review)
‘The Ninth Day’ is a thoroughly engaging and thought-provoking thriller from start to finish.
The World by Jia Zhang-ke (Review)
As the film continues, it gradually becomes a treatise on the all-too common topic these days of modern alienation.
Symmetry by Konrad Niewolski (Review)
A Polish prison film that raises interesting questions about the law and morality in general.
The Overture by Ittisoontorn Vichailak (Review)
Of all of the films I saw at this year’s Toronto International Film Festival, The Overture was easily the most sentimental and honest.