Sep 20, 2003 The Tesseract by Oxide Pang (Review) One instance where an abundance of style actually hinders the film more than helps it.
Sep 20, 2003 Maqbool by Vishal Bhardwaj (Review) This brilliant adaptation gives a classic Western text an exotic twist that could easily open people’s eyes to a whole new realm of world cinema.
Sep 20, 2003 Cheeky by David Thewlis (Review) A film about death and mourning that’s filled with warmth and a wonderful sense of humor.
Sep 20, 2003 Ju-on: The Grudge by Takashi Shimizu (Review) There are certain things in this movie that I’ll never get out of my head.
Sep 16, 2003 Harakiri by Masaki Kobayashi (Review) This may not be as famous as Kurosawa and Mifune’s samurai pictures, but it’s a great one nonetheless.
Sep 6, 2003 THX 1138 by George Lucas (Review) THX 1138’s stark style, minimal dialog, and spartan effects stand in direct contrast to George Lucas’ more recent, bloated features.
Sep 6, 2003 Shadowlands by Richard Attenborough (Review) A subtle and tender film that will resonate with people of faith, if they take the time to seek it out.
Sep 6, 2003 The Kung Fu Cult Master by Wong Jing (Review) This is one of those films you watch when you just want to be reminded of how bizarre Hong Kong cinema can be.
Sep 6, 2003 Mr. Smith Goes to Washington by Frank Capra (Review) The film is unashamedly pro-American, but there are some scenes that are downright subversive.
Aug 23, 2003 Returner by Takashi Yamazaki (Review) Returner is funnest when the filmmakers don’t even try to justify what they’re putting onscreen.