Dec 3, 2002 Broken Spindles by Broken Spindles (Review) The debut full-length from The Faint’s bassist is full of interesting ideas. Perhaps too many, even.
Dec 3, 2002 River Bends EP by Denison Witmer (Review) This EP is a condensed version of everything that I love about Denison Witmer’s music.
Dec 3, 2002 Constellation by Rebecca Pearcy (Review) Pearcy’s folk-pop songs long for a rescue from the hectic city life.
Dec 3, 2002 The Evening Drag by Torrez (Review) Each song on here is given a chance to breathe, with smoky, rustic atmospheres filtering throughout each song.
Nov 3, 2002 Nuggets 2: Original Artyfacts From the British Empire and Beyond by Various Artists (Review) I recommend you put a blindfold, throw away the liner notes, and listen to all of this fresh stuff.
Nov 3, 2002 The Tops of Trees Are on Fire by The Lyndsay Diaries (Review) Much of it ends up sounding like something Damien Jurado might record on a really off day, only to quickly tape over it with something else.
Nov 3, 2002 Impasse by Richard Buckner (Review) Not a bad record by any means, but I just find myself wanting to like it more than I do.
Nov 3, 2002 No More Shall We Part by Nick Cave and the Bad Seeds (Review) No More Shall We Part is the best album of 2001.
Nov 3, 2002 Hard Candy by Counting Crows (Review) When all is said and done, the band seems happy to continue with the success that they have enjoyed so far.
Nov 3, 2002 The Creek Drank the Cradle by Iron And Wine (Review) Sam Beam is a poet, plain and simple.
Nov 3, 2002 Sirena by Cousteau (Review) While the group’s music may not take the heartbreak away, it sure makes it easier to take.
Nov 3, 2002 Amore Del Tropico by The Black Heart Procession (Review) The expansion of their sound gives the Procession room to grow and breathe in previously impossible directions.
Nov 3, 2002 ( ) by Sigur Rós (Review) Compared to the celestial heights that Ágætis Byrjun strove for, ( ) feels remarkably restrained. But in its own way, far more ambitious.