Jul 20, 2002 [A→B] Life by mewithoutYou (Review) Each of these songs feels convincingly, painfully convicted.
Jul 19, 2002 Alone at the Microphone by Royal City (Review) Royal City has moved from being a band that hinted at greatness with their debut to an act that fully realized that potential in one enormous step.
Jul 19, 2002 Thank You Reykjavik by Rivulets (Review) Nathan Amundson has quietly established himself as a singer/songwriter to watch.
Jul 19, 2002 Blisscent 1 by Various Artists (Review) As a fan of all things drone-y, blissed out, and dreampop, this one hit the sweet spot.
Jun 17, 2002 Stenorette by Amp (Review) AMP has indeed changed their sound, and not managed to totally disappoint in doing it.
Jun 16, 2002 Perception (Bliss Out, Volume 4) by Amp (Review) Perception’s strength lies in the fact that it takes seemingly unrelated sound sources and combines them into glorious music.
Jun 15, 2002 Some Past’s Future by Remora (Review) One of the hardest things of all to understand about this album is why it sounds so much like everything the people in the songs want to escape.
Jun 15, 2002 In Our Gun by Gomez (Review) Guaranteed to open up a new fanbase for Gomez while still appealing to the already impressive and varied one they have accumulated over the years.
Jun 15, 2002 In the Aeroplane Over the Sea by Neutral Milk Hotel (Review) The mix of bizarre sonics, lyrical freakshows, and normal songcraft definitely feed off each other.
Jun 15, 2002 Gold by Ryan Adams (Review) A crucial album to restore your faith in the music industry.
Jun 15, 2002 Indoor Universe by Paula Frazer (Review) In truth, Frazer’s voice is what truly sells this album for me.
Jun 14, 2002 Finally We Are No One by Múm (Review) Throughout Finally We Are No One, Múm never lets you forget that live, starry-eyed, wonder-filled humans are behind the music.
Jun 4, 2002 Young Team by Mogwai (Review) What Mogwai do really, really well is conjure a sense of euphoric aggression.
Jun 1, 2002 Spooky by Lush (Review) Lush always focused more on the ‘pop’ side of the ‘dreampop’ equation.