Jul 17, 2000 Pieces in a Modern Style by William Orbit (Review) William Orbit takes pieces by the likes of Vivaldi and Beethoven, as well as Cage, Satie, and Górecki, and runs them through his bank of synthesizers.
Jul 10, 2000 Cornerstone 2000: An Interview With The Violet Burning “I think that my conviction has always been to write about what God has brought me through.”
Jul 10, 2000 Cornerstone 2000: An Interview with Havalina If there was ever a band that we here at Opus wish would make it big, it’d probably be Havalina Rail Co.
Jun 24, 2000 Preston Girard’s Demo by Preston Girard (Review) He describes his music as a a little bit of folk, a bit of blues, and a lot of pop and rock.
Jun 24, 2000 Chicks on Speed Will Save Us All! by Chicks On Speed (Review) This is a must-hear record if you want a truly different type of pop.
Jun 24, 2000 System Upgrade by Dieselboy (Review) By the middle of the CD, I was beginning to really look forward to hearing someone from this stable of artists take on something downtempo and textured.
Jun 24, 2000 Princess Mononoke OST by Joe Hisaishi (Review) Joe Hisaishi’s masterful soundtrack ably conveys both the beauty and darkness in Hayao Miyazaki’s anime masterpiece.
Jun 24, 2000 Blue Wonder Power Milk by Hooverphonic (Review) Blue Wonder Power Milk is comparable to Hooverphonic’s past accomplishment, though not nearly as dark.
Jun 24, 2000 My Iron Lung EP by Radiohead (Review) A few of the tracks are comparable to older Sonic Youth.
Jun 24, 2000 Airbag/How Am I Driving? by Radiohead (Review) Maybe they are “OK Computer” leftovers, but on the first play, it felt like a brand new album.
Jun 24, 2000 You’ll Never Be Well No More by Molasses (Review) What keeps Molasses from sounding like a tired rendition of old folk numbers is the alien sense of dread and foreboding just below the surface.
Jun 24, 2000 Ný Batterí by Sigur Rós (Review) I am here to say that Sigur Rós lives up to everything you’ve ever read or heard about them.
Jun 17, 2000 Your Future by Godzuki (Review) Each track blends into the other, providing constant music for dancing.
Jun 3, 2000 The Mezzanine by Liz Durrett (Review) A sense of refuge allows for a recording as sparse, mysterious, and intimate as this one.
Jun 3, 2000 The Utterly Fantastic and Totally Unbelievable Sound of Los Straitjackets by Los Straitjackets (Review) Though hundreds of miles from the ocean, Los Straitjackets echo the feel of rushing waves hovering over your head in their impressive debut.
Jun 3, 2000 Lushlife by Bowery Electric (Review) A lush (npi) mixture of hip-hop beats, vinyl scratches, orchestral undercurrents, ominous basslines, and lazily seductive vocals
Jun 2, 2000 Safe Away by Denison Witmer (Review) It might be just what you need at 10:30 on a Sunday night.
Jun 1, 2000 XTRMNTR by Primal Scream (Review) It’s a rocket into the future while it also makes you realize why you loved music in the past.
Jun 1, 2000 Imaginary Days by The Elevator Division (Review) The Elevator Division’s music is rife with atmosphere, but it’s tempered by the edge the band brings to their songwriting.
May 28, 2000 Maldoror by Steven Severin (Review) Putting out soundtracks as records implies they are indeed good enough to stand on their own, and I’m not convinced this one can.