
Reviews of Music, Movies, Anime & More
1,944 reviews and counting. More reviews can be found in my Cultural Diet.


The Autumns by The Autumns (Review)
The Autumns truly exist in their own frost-laden, wintry wonderland, one that is far beyond the confines of today’s current indie clime.
Voirshn by lovesliescrushing (Review)
No matter how abstract or surreal, how noisy and harsh, how processed and glitchy their sound becomes, there’s always a heart beating at its core.
The English Cold by July Skies (Review)
The English Cold might still be one of the most lush albums you’ll hear all year.
Heart Drops From the Great Space by Delicate Awol (Review)
The thing I like most about this release is that it keeps me guessing.
First Class Gun EP by William’s Eve (Review)
Most EPs fail with me, but this one just keeps me wanting more.

My First Time by Look What I Did (Review)
Look What I Did is a mix of so many different genres that I can’t pinpoint one sound to them specifically.
A Call for Solidarity by Cranked Up! (Review)
Cranked Up! should only be going higher and higher in the punk hierarchy.
Teetering on the Edge of Destruction by The Gammits MW and Members Of The Yellow Press (Review)
Am I the only one who loves split albums and wish more bands would do them?
Champion EP by Brother Ali (Review)
From start to finish, it’s a solid undertaking by one of the premier MCs nobody knows about.
Funeral by Arcade Fire (Review)
An album that, when all the stars of your life align, grabs you by the throat and shakes you until you’re wide awake.
Poison & Snakes by Liz Janes (Review)
Closer listening reveals that each song is a tiny world unto itself, full of its own intricate little details.
Piano Works by Craig Armstrong (Review)
A perfect soundtrack for waxing nostalgic for the movies that play on in my memory.
Consider the Birds by Wovenhand (Review)
Yet another staggering album from one of America’s most convicted (and convicting) songwriters.
Sleeper Coach by Zelienople (Review)
Sleeper Coach is much more oriented towards deep guitar drones and layers of noise and fuzz, with the only real structure provided by rhythmic loops, themselves fairly indistinct and gauzy.
Haibane Renmei OST by Kô Ôtani (Review)
The music remains subtle and understated, doing a fine job of drawing the listener into its unique little world.
Stand Alone Complex OST by Yoko Kanno (Review)
Kanno’s work is almost instantly recognizable, and yet it’s also incredibly diverse.
Last Exile OST, Vol. 2 by Dolce Triad (Review)
Many of the songs on the CD consist of soaring string arrangements, quite appropriate for a series that’s all about flying and freedom in the skies.
A Night at the Hip-Hopera by The Kleptones (Review)
An amazing display of mashup skills that works brilliantly as both a commentary on the current state of music and copyright and as a musical piece.