Reviews of Music, Movies, Anime & More

There’s nevertheless something fascinating about the Belgian trio’s music, raw as it may be.

Part of me thinks they could have achieved the same status that Dead Artist Syndrome and Lifesavers Underground now enjoy in Christian circles.

These albums are a fascinating glimpse into a realm of Christian music that most people probably never even knew existed.

The perfect soundtrack for summer days where you just want to lie down and watch the clouds float by.

The group’s blend of krautrock and ’70s German prog-rock is about as hard to resist as a black hole’s event horizon.

Elegant piano compositions blend with fluttering electronics and the occasional string flourish.

Though oppressive, there’s something alluring and even sensual about HTRK’s minimal jams.

Pastoral post-rock that re-imagines Bark Psychosis’ gauzy sounds for the British countryside.

Pastoral post-rock, ominous-yet-lovely electronic, contemplative electro-classical, krautrock-inspired cinematic music, and glassy dreampop.

The Council’s latest takes the Ghost Box aesthetic in more straightforward — though still odd and otherworldly — directions.

The Mary Onettes return with more dreamy pop, Mondo Grosso delivers euphoric electronica, and Pure Bathing Culture cover The Blue Nile.

Classic-sounding goth pop, hazy dreampop, synth-only Smiths covers, and vintage Japanese cinematic funk.

This collection of dreamlike yet unsettling ambient music is one of Dream Catalogue’s best releases in recent memory.

Mortal was the first band that showed me that Christian bands could hold their own with secular artists.

I was completely spellbound by Low’s stripped down, sparser-than-sparse sound.

This album was a constant companion during a long period of heartbreak and doubt.

This is an album in which I still find peace, relief, and inspiration to this day.

Put simply, no album feels more like high school to me, for better or worse, than Wish.

Sleek ethereal pop, serene drones, South Korean dreampop, and lush indie-folk.

Tor Lundvall’s first vocal album in nearly ten years blends hushed ambient music with themes of sorrow and longing.