“Experimental” Reviews

It is quite a little oddity but what a beautiful oddity it is.

The music is effective in creating pleasantly impressionistic moods, but it seems like there should be more.

Whereas before I had heard a formless jumble of sounds, I found something beautiful and truly intriguing.

Osito has done the hard task of balancing variety with quality, and somehow manages to excel at both.

The Forms new full-length/half-length/EP or whatever the stink it is, is not for you to spend your cash on.

Panchroma exists somewhere between the worlds of Seefeel and O Yuki Conjugate.

Kobi create pieces of stunning focus and intensity, especially given the unstructured approach behind their construction.

A classically trained vocalist and a punk rock bassist unite to create an intriguing drone album.

Despite all of the processing and digitization, an incredible amount of organic warmth emanates from this album.

These songs are immediately compelling, perfectly rounded out, and though always brief, never feel truncated or half-done.

A fascinating study in electronic music that takes clichéd sounds in new, interesting directions.

Taking in “1957” is like listening to all of the schizophrenia of “1956” condensed into only half the time.

Glissceule is as blissed-out as shoegazer can possibly get, consisting of nothing but nigh-endless layers of Cortez’ heavily processed guitars and Arpin’s angelic cooing.

This album shows why lovesliescrushing are at the head of the beautiful noise scene.

AMP has indeed changed their sound, and not managed to totally disappoint in doing it.

Criticizing John Ringhofer for making strange music is pointless because it’s obvious he has no intent to do otherwise.

Like both the albums that preceded it, Neu! 75 offers what are at times, frustrating glimpses of possibilities.

One of rock’s stranger listening experiences.