“Experimental” Reviews

Like all good collaborations, something new and interesting was forged out of that which was familiar.

Sufjan Stevens displays a real knack for taking his arsenal of abstract sounds and letting them go wild without damaging his music’s integrity.

It vaguely reminds me of some of the Revolutionary Army of the Infant Jesus’ material.

When the film reaches its conclusion, it’s both a genuine shock and fitting resolution — and all the more tragic.

Björk’s latest trades the icy bombast of Homogenic for deeper, richer, more intimate soundscapes and incredibly revealing lyrics.

At the moment, it’s the most fascinating thing I’ve listened to in a long time.

At times, the album is a beautiful, eerie lullaby only to dissolve into sounds of gloom and despair.

The Missing Brazilians project apparently felt that dub could be even stranger still.

Bryars does an excellent job with this album, writing pieces that strengthen and bolster the tramp’s voice without overpowering it.

An album guaranteed to make you think twice about the piano.

I’m sure you’ll find plenty of fascinating things wading through Jetenderpaul’s sonic collage.

It’s a riveting experience throughout and disturbs and entices in equal measure.

An awesome noise/experimental offering.

After the Flood takes the eerie otherworldliness of Lucid’s music and makes it more musical and listenable.

Mathias Anderson displays considerable talent in creating “experimental” music that’s surprisingly easy to listen to.

Anti-Pop Consortium’s detours are not the same old breaks trotted out which are sure to rock a crowd.

This music is spirit glorified.

He has taken evangelism to a peculiar but effective level that involves love and not persecution.

This stuff is actually worth listening to, and not as some sort of sonic endurance test.

I could take 84 minutes of this and not just a tad over a half hour like they gave me instead.