Aug 29, 2022 Why Christians Should Care About Foreign Films Call it a spiritual discipline: foreign films can help us see the image of God in those unlike ourselves.
Aug 26, 2022 The Objectification of Scott Pilgrim I’ll admit to being a little troubled by some of the movie’s plot turns and simplifications.
Aug 26, 2022 “Christian” Art: Seeking After A Better Way What if Christian art merely told the Truth?
Aug 23, 2022 Cultural Diet Carter by Jung Byung-gil (2022) Carter is based on a gimmick: that it all takes place in a single take. It obviously doesn’t, but t…
Aug 20, 2022 Cultural Diet The Incredibles by Brad Bird (2004) One of my top 3 favorite Pixar movies alongside Toy Story 2 and Inside Out. Everything about The In…
Aug 20, 2022 TIFF Report: The Ninth Day, The World, Kontroll Reviews, and some closing thoughts Reviews of Volker Schlöndorff’s WW2 morality tale, Jia Zhang-ke’s intriguing drama, and Nimród Antal’s urban thriller.
Aug 20, 2022 TIFF Report: Symmetry, The Overture, Throwdown, Schizo Reviews Reviews of Konrad Niewolski’s prison film, Ittisoontorn Vichailak’s musical tribute, Johnnie To’s judo flick, and Gulshat Omarova coming-of-age movie.
Aug 20, 2022 TIFF Report: I Heart Huckabees, The Machinist, House of Flying Daggers Reviews Reviews of David O. Russell’s philosophical comedy, Brad Anderson’s psychological thriller, and Zhang Yimou’s martial arts epic.
Aug 20, 2022 TIFF Report: Undertow, Automne Reviews Reviews of David Gordon Green’s Southern fable and Ra’up McGee’s directorial debut.
Aug 20, 2022 TIFF Report: After the Day Before, GITS 2 Reviews Reviews of Attila Janisch’s haunting murder mystery and Mamoru Oshii’s lavish cyberpunk epic.
Aug 19, 2022 Niceland by Friðrik Þór Friðriksson (Review) This is a film that so desperately wants you to find it meaningful that it practically begs you.
Aug 19, 2022 Lights in the Dusk by Aki Kaurismaki (Review) Yet another droll, dyer-than-dry account focusing on a down-and-out man on the fringes of society.
Aug 19, 2022 The Fall by Tarsem Singh (Review) Simply put, The Fall ends up drowning in its own excesses.
Aug 19, 2022 Hula Girls by Lee Sang-il (Review) Of course, the outcome of the film is never really in question. However, the joy is in the way that the film arrives there.
Aug 19, 2022 Rescue Dawn by Werner Herzog (Review) Compared to the rest Herzog’s canon, Rescue Dawn might rank a little lower than others, but overall a very solid, if sometimes safe film.
Aug 19, 2022 Macbeth by Geoffrey Wright (Review) There’s plenty of sound and fury to go around in Macbeth, but really nothing significant.
Aug 19, 2022 Quelques Jours En Septembre by Santiago Amigorena (Review) There’s some espionage, betrayal, and financial hijinks, but to call it “high-voltage” is to dramatically oversell the film.
Aug 19, 2022 Alatriste by Agustín Díaz Yanes (Review) Proof yet again that even the biggest budget can’t save a film if it’s lacking a solid storyline and well-developed characters.
Aug 19, 2022 The Island by Pavel Lungin (Review) Much like Jesus’ parables, Father Anatoly’s unconventional behavior cuts through religious formalism and legalism.