May 24, 2001 The Suspect by Ringo Lam (Review) Overall, not terrible, but not really that good either.
May 24, 2001 Raising Arizona by Ethan Coen and Joel Coen (Review) A rip-snorting good time of a film.
May 24, 2001 New Legend of Shaolin by Wong Jing (Review) There’s so much going on in this film at any one given time that it’s easy to miss some things.
May 24, 2001 The Magnificent Bodyguards by Wei Lo (Review) Definitely lacking when compared to Jackie Chan’s later stuff.
May 24, 2001 Kikujiro by Takeshi Kitano (Review) A seemingly heartwarming film ruined by inane developments and humor.
May 24, 2001 Judy Berlin by Eric Mendelsohn (Review) So self-absorbed that it makes the mistake of thinking its characters and their lives are interesting.
May 24, 2001 Gorgeous by Vincent Kok (Review) Contains less of what makes a Jackie Chan film a Jackie Chan film.
May 24, 2001 Ghost Dog: The Way of the Samurai by Jim Jarmusch (Review) A quirky and fairly refreshing take on the typical “hitman” film.
May 24, 2001 Baraka by Ron Fricke (Review) Visually, this may be one of the most impressive films I’ve ever seen.
May 24, 2001 Pathfinder by Nils Gaup (Review) A mythological action film based on ancient Norwegian myths.
May 24, 2001 Orpheus by Jean Cocteau (Review) For anyone who fancies themself a patron of true cinema, this film is required viewing.
May 24, 2001 Orphans by Peter Mullan (Review) One moment, Orphans is tragic and moving, the next hilarious, the next downright disturbing.
May 24, 2001 Samurai 2: Duel at Ichijoji Temple by Hiroshi Inagaki (Review) For a movie that’s about a famous swordsman, we actually see very little of him.
May 24, 2001 The Third Miracle by Agnieszka Holland (Review) If you’re looking for a film that doesn’t trivialize the struggles that faith and conviction can bring, this is a good one.
May 24, 2001 That’s the Way I Like It by Glen Goei (Review) There are times when the movie gets a little mushy and melodramatic, but for the most part, it’s a blast to watch.
May 24, 2001 The Street Fighter by Shigehiro Ozawa (Review) For the most part, the fights are brutal and gory. But it’s good for the kitsch factor.
May 24, 2001 Go by Doug Liman (Review) I just can’t get enough of movies with ensemble casts, wierd plots, and a sense of continuity that refused to go from Point A to Point B.
May 24, 2001 Solaris by Andrei Tarkovsky (Review) This Russian sci-fi film is probably most comparable to Stanley Kubrick’s 2001.