The Equalizer
The only reason this film works as well as it does is because of Denzel Washington. He brings the requisite amounts of gravitas and screen presence to make you believe in his haunted ex-super-deadly-guy who now seeks redemption by taking out a bunch of Russian gangsters in violent, blood-soaked fashion. Of course, being an Antoine Fuqua film, The Equalizer occasionally dips into hyper-stylized, CGI-enhanced silliness — which is a shame, because I much preferred the slow, seemingly mundane burn of the film’s first act — but even then, it remains eminently watchable because of Denzel. No one else could’ve pulled it off, of that I’m convinced.