My 50 Favorite Movies of All Time

I rarely watched movies growing up. Some of that was due to finances and some of that was due to the evangelical Christian milieu in which I grew up, which viewed Hollywood and “liberal” media with great skepticism. The cracks in that slowly began to appear in high school, when I borrowed VHS tapes of movies that my friends had recorded off cable TV, and fully burst open in college.
I took a film history course on a lark, only to have my eyes opened to the possibilities and treasures of world cinema. Meanwhile, the local VHS rental stores — RIP Audio-Visual and Hollywood Video — became godsends as I started seeking out weird and fringe titles. (Sure, Netflix et al. are more convenient, but nothing beat the experience of combing the racks of VHS titles and picking up something based solely on the cover art. But that’s a subject for another post.)
Interestingly, I didn’t start reviewing movies until several years into Opus’s existence. I suppose I had some misguided notion that reviewing movies required a higher degree of skill than reviewing albums. I’m not sure what changed my mind — perhaps it was my discovery of the delightful craziness that is Hong Kong action movies — but eventually, I began posting as many movie reviews as I did music reviews.
Cinema is vast, encompassing all manner of stories and methods of telling them. I love the classics — screwball comedies and Golden Age Hollywood — and arthouse classics, but as a nerd, I’m unsurprisingly drawn to sci-fi, fantasy, and anime. And of course, there’s my abiding love for martial arts and kung fu flicks. The following list encompasses all of those, and more, and each one of them contains a unique world that I’m glad to have experienced.

His Girl Friday by Howard Hawks (1940)
They really don’t make films like this crackerjack comedy starring Cary Grant and Rosalind Russell anymore.
Casablanca by Michael Curtiz (1942)
A jaded Humphrey Bogart and a luminous Ingrid Bergman make for one of cinema’s most iconic works.
Orpheus by Jean Cocteau (1950)
This fantastical re-imagining of the classic Greek myth was the object of my very first bit of serious film criticism.
Roman Holiday by William Wyler (1953)
Audrey Hepburn and Gregory Peck star in one of the most beloved and charming films of all time.
The Innocents by Jack Clayton (1961)
My favorite horror movie of all time.
La Jétee by Chris Marker (1962)
A haunting and ultimately tragic treatise on time and memory.
Stalker by Andrei Tarkovsky (1979)
Andrei Tarkovsky’s atmospheric film about human hubris in the face of the unknowable may very well have cost him his life.
The Empire Strikes Back by Irvin Kershner (1980)
The best Star Wars film, without any caveat or question whatsoever.
Blade Runner by Ridley Scott (1982)
Ridley Scott’s sci-fi classic will still feel futuristic and ahead of its time even centuries from now.
Chinese Super Ninjas by Chang Cheh (1982)
Contains everything I could ever possibly want in an old school kung fu flick.
Duel to the Death by Ching Siu-Tung (1983)
This epic martial arts story about honor and brotherhood is also one of the best ninja movies of all time.
Police Story by Jackie Chan (1985)
Features some of the biggest and most well-known action setpieces in Jackie Chan’s filmography.
Ran by Akira Kurosawa (1985)
Akira Kurosawa’s final epic features profound insights into human nature and some of cinema’s greatest images.
Big Trouble in Little China by John Carpenter (1986)
A true cult classic featuring Chinese myth, kung fu masters, and one of Kurt Russell’s best performances.
Flight of the Navigator by Randal Kleiser (1986)
My favorite movie as a kid still holds up really well today.
Raising Arizona by Joel Coen and Ethan Coen (1986)
The Coen Brothers’ heartfelt farce about a man desperate to start a family, even if that means kidnapping.
Akira by Katsuhiro Otomo (1988)
Watching Neo-Tokyo explode never gets old thanks to some of anime’s most stunning sequences.
My Neighbor Totoro by Hayao Miyazaki (1988)
Studio Ghibli’s signature film is particularly beloved by my family.
The Hunt for Red October by John McTiernan (1990)
Arguably the best Cold War-era thriller, with career-best performances from Sean Connery and Alec Baldwin.
Children of Nature by Friðrik Þór Friðriksson (1991)
Considered the best Icelandic film of all time thanks to its fantastical story and stunning scenery.
Terminator 2: Judgment Day by James Cameron (1991)
I watched this on VHS so many times in high school, I’m surprised the tape didn’t melt in our VCR.
Hard Boiled by John Woo (1992)
John Woo’s final Hong Kong film might just be the greatest action movie of all time.
Iron Monkey by Yuen Woo-ping (1993)
A hilarious martial arts send-up of Robin Hood filled with slapstick humor and inventive action choreography.
Three Colors: Blue by Krzysztof Kieślowski (1993)
A searing and beautifully rendered portrait of grief that’s akin to a religious experience.
Groundhog Day by Harold Ramis (1993)
This comedically existential tale remains as charming and entertaining as ever.
Pulp Fiction by Quentin Tarantino (1994)
Quentin Tarantino’s second film is a true cinematic royale with cheese.
Fist of Legend by Gordon Chan (1994)
Jet Li’s finest and the pinnacle of martial arts cinema.
Whisper of the Heart by Yoshifumi Kondō (1995)
Thought not as well known as other Studio Ghibli titles, it’s easily one of the studio’s best.
Princess Mononoke by Hayao Miyazaki (1997)
Hayao Miyazaki’s darkest and angriest film is breathtaking and even majestic at times.
Dark City by Alex Proyas (1998)
One of my very first movie obsessions.
Who Am I? by Jackie Chan and Benny Chan (1998)
Though overshadowed by some of Jackie Chan’s other films, it features some of his best and funnest stunts.
The Color of Paradise by Majid Majidi (1999)
My introduction to Iranian cinema was an eye-opening and transcendent experience.
The Matrix by The Wachowskis (1999)
The single greatest theatrical experience I’ve ever had, and probably ever will have.
Battle Royale by Kinji Fukasaku (2000)
Banned in several countries, Kinji Fukasaku’s final film is packed with visceral and poignant anger.
In the Mood for Love by Wong Kar-Wai (2000)
A heartbreakingly gorgeous film starring Tony Leung and Maggie Cheung at their most radiant.
Donnie Darko by Richard Kelly (2001)
This dark fairy tale might not make the most sense on paper, but it’s utterly engrossing nevertheless.
The Lord of the Rings: The Fellowship of the Ring by Peter Jackson (2001)
Peter Jackson’s adaptation of Tolkien’s legendarium is a cinematic work for the ages.
The Royal Tenenbaums by Wes Anderson (2001)
Gene Hackman runs away with the film as a low-down, no-good son of a bitch you just can’t help but love.
Shaolin Soccer by Stephen Chow (2001)
Soccer has never been cooler.
Hero by Zhang Yimou (2002)
Zhang Yimou’s martial arts epic is an absolute feast for the eyes and ears.
The Twilight Samurai by Yôji Yamada (2002)
I could include any number of samurai films on this list, but Yôji Yamada’s gently bittersweet film is the one I think about the most.
Ong-Bak by Prachya Pinkaew (2003)
Tony Jaa became a new global action star thanks to this Muay Thai action comedy.
Oldboy by Park Chan-wook (2003)
Park Chan-wook’s brilliantly executed revenge thriller is not for the squeamish.
Save the Green Planet by Jang Jun-Hwan (2003)
This disturbing, convoluted, and surprisingly poignant movie mashes together a half-dozen genres.
The Incredibles by Brad Bird (2004)
Arguably my favorite Pixar title.
Last Life in the Universe by Pen-ek Ratanaruang (2004)
A gently surreal film about two lost and lonely souls who find each other in Bangkok.
The Tree of Life by Terrence Malick (2011)
Terrence Malick’s ambitious film is as spiritual — in the best and truest sense of the word — as cinema gets.
Inside Out by Pete Docter (2015)
Delightfully imaginative, riotously entertaining, and deeply touching.
Arrival by Denis Villeneuve (2016)
More than just another alien invasion flick, Arrival tackles heady themes with grace and poignancy.
Spider-Man: Into the Spider-Verse by Bob Persichetti, Peter Ramsey, and Rodney Rothman (2018)
The stunning artwork and animation practically leap off the screen.